By Gamal Hennessy
From my perspective, Susie Bright
is a luminary in the genre of erotic fiction. Not only has she written, edited,
and published several books on the subject over the years, her writing guide How
to Write a Dirty Story has been an inspiration for all six of the novels I’ve
written. I’ve wanted to read her first anthology The
Best American Erotica 1993 for years, so when it went on sale on Audible, I
downloaded it as soon as I could. Unfortunately,
my experience was less than ideal.
The book does have positive
qualities. First, there is a wide array of authors who contributed short
stories to this collection and the range of erotic expression is very diverse.
LGBT, straight and BDSM flavors are all mixed and represented here. Characters
of different ages, ethnic backgrounds, nationalities and economic realities all
get time in the spotlight. And the range of sexual expression is also broad.
Some characters fully explored their passions, others lost their chance just
before they could attain satisfaction, and some struggled to repress or deny
the only thing they couldn’t stop thinking about.
But all the stories shared similar
flaws. The stories had little or no turning points, no crisis choice that the
characters had to make to expose their true nature or alter their condition.
They were unchanged from the beginning of the story to the end, and the sexual
experiences they had (or didn’t have) did nothing to bring about change in
their lives. What they did was on full display. Why they did it or how it
defined them was always left out.
It doesn’t have to be that way in
erotica or any other genre. We only have to look at the short stories in Delta
of Venus, Night in a Moorish Harem or Erotic Interludes to see that sexual
expression can be the catalyst for change in a character’s life. Of course, not
every sexual encounter alters our existence, but when every story in a
collection lacks that element, the whole book suffers.
In terms of the overall
presentation of the audio book it’s also a mixed experience. The readers of
each piece were very good and their voices matched the nature of the narrator
well. However, most of the sex in this book skews towards the nonconsensual.
There is diversity here too, as the scenarios range from lack of consent to
rape and sustained torture. If you don’t enjoy those types of stories the book
might be hard to get through.
Overall, I appreciated the
diversity of Best American Erotica, but the stories themselves didn’t satisfy.
The series continues for several more volumes, so perhaps the first one can be
seen as a viable proof of concept.
Have fun.
Gamal
Gamal
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